‘Citizen Jane: Battle for the City’

Screens 8 p.m. Saturday, April 1 at the Marvin and Betty Danto Lecture Hall, Detroit Institute of Arts. Tickets are $10, $9 for Friends of the Detroit Film Theatre at DIA venues.

Citizen Jane: Battle for the City is a story about our global urban future, in which nearly three-fourths of the world’s population will live in cities by the end of this century. It’s also a story about America’s recent urban past, in which bureaucratic, “top down” approaches to building cities have dramatically clashed with grassroots, “bottom up” approaches. The lm brings us back mid-century, on the eve of the battles for the heart and soul of American cities, about to be routed by cataclysmically destructive Urban Renewal and highway projects.

The film details the revolutionary thinking of Jane Jacobs, and the origins of her magisterial 1961 treatise The Death and Life of Great American Cities, in which she single- handedly undercuts her era’s orthodox model of city plan- ning, exempli ed by the massive Urban Renewal projects of New York’s “Master Builder,” Robert Moses. Jacobs and Moses gure centrally in our story as archetypes of the “bottom up” and the “top down” vision for cities. They also gure as two larger-than-life personalities: Jacobs—a journalist with provincial origins, no formal training in city planning, and scarce institutional authority—seems at rst glance to share little in common with Robert Moses, the upper class, high prince of government and urban theory fully ensconced in New York’s halls of power and privilege. Yet both reveal themselves to be master tacticians who, in the middle of the 20th century, became locked in an epic struggle over the fate of the city. In three suspenseful acts, Citizen Jane: Battle for the City gives audiences a front row seat to this battle, and shows how two opposing visions of urban greatness continue to ripple across the world stage, with unexpectedly high stakes, made even higher and more unecpectically urgent in the suddenly shifting national political landscape of 2017, in which the newly inaugurated U.S. President is a real estate developer, who is calling for a new era Urban Renewal, echoing the traumatic period in which this lm takes place. In perilous times for the city and for civil rights, Citizen Jane offers a playbook, courtesy of Jane Jacobs, for organizing communities and speaking the truth to entrenched and seemingly insurmountable powers

Michigan premiere.

After the film: Detroit Free Press business columnist John Gallagher leads a discussion that will include Eastside Community Network founder Maggie DeSantis and Community Development Advocates of Detroit Executive Director Sarida Scott.

BUY SATURDAY DIA TICKETS
Year: 2016
Running time: 1 hour, 32 minutes
Rating: Not Rated
Director: Matt Tyrnauer
Cinematographers: Chris Dapkins, Nick Higgins, Paul Morris
Editor: Daniel Morfesis
Producers: Jenny Carchman, Robert Hammond, Corey Reeser, Matt Tyrnauer, Jessica Van Garsse
Production company: Altimeter Films
Film festivals: TIFF ’16, DOC NYC ’16